The impact of Western Literature in the Formation of Urdu Fiction

Abstract

Such changes have occurred in the cultural and linguistic development of human evolution that have illuminated the intellectual and artistic perfection in the aesthetics of the goddess of story telling. The singularity of words Fostered the talismanic meaning. A similar situation occurred in the formation of Fictional prose in Urdu. When English civilization and culture began to influence the Indian region after 1857, the influence of western style inevitably affected Urdu fictional prose as well. The effects were two-fold on the one hand, there were the merits of techinal style, and on the other hand, there was the brilliance of intellectual and idological trends, which enlightened. The fictional prose of the Urdu language with new possibilities. Thus, the Fictional Prose of Urdu emerged from the limited discussions of eloquence and rthetoric and came into line with new styles and trends. The use of symbols, metaphors, and abstraction in the fictional comsposition of Urdu prose promoted innovation and decencry in imagination, through which the creators not only unrevealed the knots of external events but also highlighted contemporary problems of the social structure, physchological and mental states, emotions and feelings. The struggle of industrial development and the mechanical age trapped. The social individual in a quagmire of mental stress, suffocation and anxiety. It wounded the human being from within. Western thought raisaed questions about this class division and the misery of existence. The attempt to restore human identity revealed social meaning through new symbols and metaphors. The flow of consciousness, abstraction surrealism and the styles of mythology. Its effects were also felt on the urdu-speaking class, so western style was used in the formation of Urdu fiction prose and the reflection of social attitudes. Traces of which can be found in the works of fiction writers from the time of Manto to the present day.

Key Word:    

            Selfish desires, symbols and metaphors, Socialism, contemporary issues, Economics, sexual behaviour, values, realism, existentialism, presence, geological communication.